A non-profit and a
grassroots organization of children’s book lovers that advocates
essential changes in the publishing industry to produce and promote
literature that reflects and honors the lives of all young people.
“For Mackenzi Lee’s whip-smart “The Gentleman’s Guide to Vice and Virtue,” the author wanted to showcase an authentically positive representation of queer identity in centuries past. “I wanted so badly with this book to say to queer teenagers: ‘You have always existed even before there were words or vocabulary or acceptance,’ ” she said. “I wanted them to know they have not only existed, but they thrived and had fulfilled romantic and sexual lives with people they love.””
“There are still a lot of common misconceptions about disabled people that affect how we’re represented in media, like the idea that we’re nonsexual and nonromantic by default, which lends itself to fewer stories about LGBTQIA+ disabled characters. “Readers may be surprised to see a wheelchair user revealed as a lesbian; they may not expect to see an autistic character casually talk about their sexual partners,” says Duyvis. It can be similarly unexpected when a disabled character is canonically asexual or aromantic, because that treats it as a valid part of their identity and confronts the audience with the idea that the character’s orientation may be completely separate from their disability.”
“Here’s eight highly anticipated queer releases to get you feeling good about fall. They feature fencers and assassins, boys grappling with conservative values and friends about to die, girls falling in with the wrong crowd and sisters whose love is deadly, mythical creatures working at coffee shops and a preacher’s son just trying to survive a single day. From high fantasy to contemporary, sports fiction to psychological thriller, these upcoming releases are sure to get your mind off the end of Summer and ready to welcome a new season.”
At the request of an anonymous Tumblr user, we’ve rounded up a list of ten queer YA fantasy and sci-fi novels. Check out these ten queer YA fantasy / sci-fi novels and share your favorites when reblogging! For
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In Wonders of the Invisible World, seventeen-year-old Aidan Lockwood is drawn into a generations-old conflict, in which he discovers his secret family history, an unseen spirit world, and unexpected love with another boy.
When I was a teenager, I had a hard time finding myself in books. By that I mean that, in so many of the novels and short stories I read, I couldn’t find characters that were like me in several specific ways. Queer, rural, from a working class family. Sometimes I’d come across a character that displayed one or occasionally two of those character facets (generally rural and working class), but I couldn’t find characters that embodied all of these at once. It all resulted in making me feel invisible, to some extent. Unseen. Unseeable. Ungettable: maybe even to myself.
Because, don’t get me wrong here, I wasn’t consciously looking for myself in fiction. That’s a largely unconscious drive that I think motivates a lot of readers of fiction. When people say they can’t relate to a character, I sometimes think what they mean is that the characters presented in a story didn’t have lives or experiences that resemble their own. Fiction read in this way seems like a narcissistic activity: the reader looking to find his or her own image in the reflecting pool of literature. And fiction read in this way can also seem, on the surface, to be at cross-purposes to what reading fiction is supposed to do, which is to open the reader up to the lives and experiences of people who are unlike them, in order to grow more aware and to develop a broader scope of compassion.
However, for a young person, finding themselves in a novel can be the first encounter they have with facets of themselves that begin to explain why they feel the way they do about anything. For me, it wasn’t until I was in college that I was able to find characters in books and films that didn’t necessarily reflect myself so much as open a door into unexplored parts of myself. And walking through that door allowed me to discover the full shape of who I was, and who I’ve become.
In Wonders of the Invisible World, I wanted to create a character who doesn’t know himself, but who goes on a journey of self-discovery that, while frightening, turns out to reward him with a greater connectedness to the world around him. Aidan Lockwood has parts of himself that have been hidden away, parts that other people would rather he not display, parts that even he doesn’t understand and is afraid to engage with. In doing the work to uncover the secret parts of himself, though, Aidan also discovers the secret history of his family, and through his family the history of his community. There’s an old curse, a haunting figure of a red-bearded man wearing a black suit, a white stag, a dead apple tree that keeps talking to him, a best friend who he can’t initially remember, and visions that come to him unbidden: stuff that can be really scary, especially to someone who has lived a closely circumscribed life in a remote, rural town. But by the end of his story, Aidan Lockwood finds more wonders in the world, and within himself, than anything worth hiding.
I hope his story can serve as a touchstone for readers who are trying to find themselves in this hard to navigate world. It’s the kind of book I wish I could have come across when I was doing that: trying to grow up, trying to grow into myself in the best possible ways, in the ways that make life wondrous and wonderful.
Christopher Barzak’s fiction includes the award winning adult novel, One for Sorrow, which was recently made into the major motion picture, Jamie Marks is Dead, the Nebula Award finalist, The Love We Share Without Knowing, and the short story collection Before and Afterlives, which won the Shirley Jackson Award for Best Collection. Christopher grew up in rural Ohio, has lived in a southern California beach town, the capital of Michigan, and has taught English outside of Tokyo, Japan. Currently he teaches fiction writing in the Northeast Ohio MFA program at Youngstown State University. Learn more about Chris at christopherbarzak.com.
Don’t forget! You can enter to win Wonders of the Invisible World and four other wonderful YA SFF novels at our Fantasy & Science Fiction Month giveaway (deadline Oct. 6)
George is 10, loves to read and has a best friend named
Kelly. Everyone thinks George is a boy, but she doesn’t feel like one.
The transgender fourth-grader is the heroine of Alex
Gino’s new book for readers in grades three to seven. To sell this particular story
to a mass market, the book’s publisher, Scholastic, employed a similar strategy
to the one it used with The Hunger Games:
It sent the book out to thousands of teachers and children’s librarians, and
took Gino around to major book fairs. The reaction?
“All of the booksellers had a story to tell Alex about
a trans kid that they knew, a trans kid in their family, a trans adult who
worked in their store,” Scholastic’s David Levithan recalls. “And it
wasn’t just the coasts, and it wasn’t just sort of the liberal hotbeds. It was
really booksellers from every state saying, ‘Oh goodness. We need this book and
I know exactly who I’m going to give it to.’”
